Applying a heavily stylized look to every shot in the film, making it look more like a music video than a feature is generally accepted as not so pleasing by most. Ideally you’ll want to decide on a look before hand and then bring your footage into some grading software and start to tweak your settings accordingly.Ī big misconception, is over-doing the color grading on your material to make it more cinematic. In general, specifically while color grading, you can do a lot to make your video look more filmic. The things we learn from this video can be applied to many other situations. GH4 and GH3 Getting rid of the VIDEO look from Aron J Anderson on Vimeo. Here is a great video tutorial by Aron J Anderson on how to get rid of the video look while shooting with GH4. However, we need to tweak the camera a little bit to achieve the best results. In 2014 we have cameras that easily can emulate that look like the brand new Panasonic GH4 for instance. ![]() ![]() While any of these features will help out on their own, it’s really only when they are all used together correctly that you can achieve a certain film look. Those are shallow depth of field, resolution, frame rate, shutter speed, dynamic range, bit depth and color sub-sampling, compression etc. There are a number of key variables that are essential to get the most filmic look when shooting digital. ![]() Some characteristics of the elusive film look are rich image texture, increased dynamic range, 24 frames per second cadence, and silky shallow depth of field. We are so used to seeing cinematic images in our favorite films. In short, a film look is a process in which video images are augmented to appear as if they have been shot on film. However, what does “film look” mean by definition and how do we get it? All indie filmmakers put a great deal of effort in order to achieve the so-called “film look” in their work.
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